![]() The camera switches to a military ceremony where we meet Fakhri ( Arita Shahrzad), the oldest and wealthiest of the four women. Afterwards, the scene shifts sharply to meet Zarin (Orsi Toth), a solemn prostitute, who flees from her brothel after seeing a customer with no face – another dip into the surreal. It becomes clear that Faezeh has a crush on Amir Khan, who is engaged to someone else. ” Shortly thereafter, we meet Munis’s friend Faezeh ( Pegah Ferydoni), who comes to visit when Amir Khan is away. ![]() With her vague commentary, she helps to generalize the themes for viewers: “ Through all this noise, there was almost silence…the sense that everything repeats itself over time. Munis becomes the film’s primary magical-realist thread, acting as omnipresent narrator. We are first introduced to Munis (Shabnam Tolouei ), a radiophile who is disinterested in the marriage prospects her brother, Amir Khan, is forcing onto her. The film, an adaptation of Shahrnush Parsipur’s 1990 novella, distills the political situation into a compelling story about a group of women whose parallel experiences lead them to the same location despite differences in class and lifestyle. In her 2009 film Women Without Men, Shirin Neshat tells the female story during the 1953 coup d’etat in Iran. ![]()
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